Poole started out in New York as a dancer and choreographer. Afterward, the Sun-Ray will show LaBruce's 1996 film, "Hustler White." LaBruce, whose work was the focus of a retrospective last spring at New York's Museum of Modern Art, has cited Poole as a significant influence in his avant-garde approach. Bruce LaBruce, an experimental filmmaker known for his provocative, sexually charged movies, will conduct the conversation. Now 80, Poole will participate in a live commentary while a restored version of "Bijou" plays at the Sun-Ray. The film premiered in New York in 1972, the same year that American moviegoers were introduced to "Deep Throat," both of which helped to usher in the era of "porno chic" in pop culture. Poole, who spent much of his youth in Jacksonville and moved back when he retired more than a decade ago, will be on hand Saturday evening when the Sun-Ray Cinema screens one of his most recognized feature-length movies, "Bijou." He wanted the results to be natural, intimate and beautiful. Poole challenged the status quo when he was getting started in the early 1970s, and pornographic movies tended to be short, crudely shot efforts yielding sordid, impersonal results. "I hate the word 'porno.' I think it's degrading, I think it's sleazy." "I saw what I did as experimental filmmaking, not pornography," he said. Wakefield Poole never considered most of the erotic gay films he made to be pornographic, though it's a label he knows is inescapable.
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